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CueCaller
Timecode-driven cue calling · Coming soon

Every call.
On the frame.

CueCaller reads your show's timecode and calls your cues. Standbys and GOs, spoken in a voice you choose, routed straight into com. Built on tour, for tour. We're opening a private beta first, then launching. Get in early.

[ Get early access ]
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Built on tour · proven in the field · show-tested
What it looks like

Not a mockup.
The real screen.

This is CueCaller running a live show, one of 135 cues landing on the frame. Every part of the screen, and what it's doing:

CueCaller running the Spots track of a live show on timecode 1 2 3 4 5 6 7
Actual CueCaller session · 135-cue show · the Spots track, on live timecode
1

Department track

Every department's cues live in one file. Switch to Spots, Lighting, Audio, Video and more, right here.

2

Live timecode

The show clock, read straight off LTC or MTC. Locked is green. Lose signal and it goes red.

3

Source select

Linear timecode, MIDI timecode, or the built-in test clock to rehearse with no console at all.

4

The active call

The current cue, big enough to read across FOH, spoken into com on the same frame it fires.

5

Standby + countdown

The next cue arms ahead of time with a live countdown to its exact stamp.

6

Set list

The whole show, song by song. Jump anywhere the moment a soundcheck order changes.

7

Cue list

Every cue with its timecode, in order. This show is carrying 135 of them.

One file, every department

One document.
Every track.

Spots, lighting, audio, video, lasers, pyro, automation, scenic. Every department's cues live in one file, on the same show clock. Switch to any track at any time and you see only that department's calls, written in their language.

CueCaller — the Spots track
Same show, same timecode · each department sees only its own cues · click a track above

Production & upMultiple department lanes are a Production-tier feature and above. The entry Operator tier runs a single lane.

See it for yourself

Watch it call a show. No signup.

The live demo runs a real cue stack on the built-in test clock. Watch the standbys arm, the GOs land on the frame, and the cue rail follow along. It's the actual software, running in your browser, before you commit to anything.

▶  Open the live demo
[ 01 ]

Reads LTC and MTC

Linear timecode over any audio input, MIDI timecode over Web MIDI. Auto frame-rate detection. Locked clock goes green, signal loss goes red.

[ 02 ]

Your sheet is the source

Cues, timings and notes live in a Google Sheet or .xlsx. Change a time at soundcheck, reload, done.

[ 03 ]

Automatic Standby + GO

Standbys at your lead time, the GO on the exact frame of the event. Every night, the same way.

"As a touring LD with a full rig of lighting fixtures to manage, I wanted an option to help automate the sometimes tedious task of calling spotlight cues manually. So, CueCaller was born out of necessity directly in the field. We quickly realized that the platform has numerous use cases across multiple departments of production, and acts as a fantastic way for teams to stay coordinated across different disciplines."

Jake Roeber · Creator Touring Lighting Designer · Programmer · Operator
What it does

The op that never
misses a stamp.

Point it at your timecode and your cue sheet. It handles the rest, with the discipline of your best caller on their best night.

[ 01 ]

Reads LTC and MTC

Linear timecode over any audio input, MIDI timecode over Web MIDI. Auto frame-rate detection across 24, 25, 29.97 and 30. Locked clock goes green, signal loss goes red.

[ 02 ]

Your sheet is the source

Cues, timings and notes live in a freely editable Google Sheet or .xlsx. Share it with the whole department. Change a time at soundcheck, reload, done.

[ 03 ]

Automatic Standby + GO

It issues standbys at your chosen lead time, then lands the GO on the exact frame of the event. Every night. The same way.

[ 04 ]

Calls any department

The prefix is yours: "Standing by Spots," "Standing by Pyro," "Cameras GO," "Automation GO." One engine, every cue type in the building.

[ 05 ]

A voice you choose

Pick the TTS voice, speed, volume and accent. Route the audio into the program feed of the venue's com system and every op hears the same calm caller.

[ 06 ]

Sessions + offline show files

Save full sessions to the cloud, or export a standalone offline show file that runs with no internet at all. Share it with anyone on the team.

Who it's for

One engine.
Every chair at FOH.

[ Lighting ]

LDs + Spot Ops

Automate followspot calling completely. Visual cues on screen, spoken calls on com. You run the console, CueCaller runs the calls.

[ Video + Audio ]

Video Directors + FOH

A heads-up display of upcoming solos and features. Your camera cut and your fader push are ready before the moment arrives.

[ SFX ]

Pyro + Production Elements

Give local operators an accurate, consistent cueing system for pyro, cryo, confetti and automation. No tribal knowledge required.

[ Show Call ]

Stage Managers

Track when cues should happen, when standbys should be issued, and keep your own notes cue by cue. Your prompt book, synced to the show clock.

How it works

Three steps to
show-ready.

01

Load your cue sheet

Import a .csv or .xlsx, or paste a link-shared Google Sheet. Timecode, label, notes. Headers optional, extra columns welcome.

02

Feed it timecode

Patch LTC into any audio input or MTC over MIDI. The clock locks green and follows the show, jumps and all.

03

Open the com

Route the voice into program. Standbys go out at your lead time, GOs land on the frame. Rehearse anytime with the built-in test clock.

Questions

Asked at
load-in.

How accurate are the calls?
GO commands fire on the timecode frame of the event. A configurable pre-delay can fire the GO fractions of a second early to compensate for operator reaction time. Standby lead time is yours to set, from 3 to 60 seconds.
How does the voice get onto com?
The TTS output is normal audio. Take the computer's output into a spare channel on your console or directly into the program feed of the venue's com system. Every beltpack hears the calls.
What consoles and rigs does it work with?
All of them. CueCaller is console-agnostic. If anything in your rig can emit LTC on an audio line or MTC over MIDI, it can drive the show. There is also a free-running test clock for rehearsal with no console at all.
What happens if the venue internet dies?
Nothing. Export an offline show file before doors and the entire show, cues, settings and voice, runs from a single local file with zero connectivity.
Do I need to install anything?
No. CueCaller runs in the browser on macOS or Windows. Offline show files run the same way, from a local file.
The plans

Three tiers.
One engine.

Every tier reads timecode and calls your show out loud. They differ in how much of the building you're running, and how many of you there are. Pricing coming soon.

[ Tier 1 ]

Operator

For a single operator running one department.

The essentials
  • One department lane — spots, or any single discipline
  • Load a cue sheet and save one session
  • LTC / MTC timecode plus the built-in test clock
  • The spoken caller, in a voice you choose
Recommended
[ Tier 2 ]

Production

For the designer or PM running every department solo.

Everything in Operator, plus
  • Every department in one file — spots, lighting, audio, video, lasers, pyro and more — switch tracks anytime
  • Unlimited saved sessions
  • Offline show files that run with no internet
  • Live Google Sheet sync
[ Tier 3 ]

Tour

For a touring team outfitting a whole department on the road.

Everything in Production, plus
  • Multiple seats — bring your crew onto one plan, each with their own login
  • Team management for your operators
  • Priority support on the road

Every tier includes the core: reads LTC + MTC, automatic standbys and GOs on the frame, a voice you choose routed into com, your cue sheet as the source (Google Sheet or .xlsx), and the built-in test clock. Runs in the browser, on mac or windows.

Ready when you are

Get on the list.
Apply for the private beta.

We're opening a hands-on private beta first, then launching late summer 2026. Add your email up top, or apply to put it through a real show.